What would you get if somebody posessed the face of the Disney Sleeping Beauty's Malefacent, the body of The Princess Bride's Fezzick, the arms of Edward Scissorhands, the mind of Stephen Hawking/Jeremy Paxman and the voice of Alan Rickman? A force to be reckoned with is what. It would be so cool...
Unfortunately I only have the ordinary attributes of a rather pathetic adolescent. Except for one thing that I claim absolutely no responsibility for, something that is independant from my body as a whole and that has a mind of its own.
My nose seems to have a seperate circulatory system, going bright red in complete contrast to the rest of me, and is more akin to a tap than to anything of vaguely human origin. Not to mention its total and ill-judged departure from the general asthetic of my face as a cohesive image. 'Characterful' will not cut it.
I may be forced to cut my nose off to spite my face.
If only anatomy could flatter me. But no, it went and shat on me.
7 March 2008
2 March 2008
Pessimism Schmessimism
I am sure people don't actually refer to things as 'half empty'. It's more natural terminology to say something is half full surely, as the receptacle will contain at least some kind of substance and is therefore rather more filled than it is if empty. Anyway, I understand that it is a useful way to illustrate the optimist/pessimist distinction. I like to think that I can always see the upside of situations and glean at least something useful or amusing from any unpleasantness that occurs. Take the last couple of days for instance...
The bar at the Union was absolutely packed last night, with people clamouring hotly and sweatily for cheap drinks, slopping beer all over the place and continuously prodding me in the back, which drives me a little bit crrrrrazy. A girl behind me went ahead and ordered her drink before me, despite it being blatant that I had been waiting far longer. Grrr. However, the longer wait did make me notice that there was a young chap sitting right amongst the hullaballoo, pint set down on the bar, sedately and leisurely reading the Guardian obiturary pages. This unexpected image made me smile.
The final of Masterchef has aired, meaning that the series is over and I won't see Greg's bald, cheery noggin or John's jowelly chops until next year. They, and their cries of 'Cooking DOESN'T get tougher than this!' and 'It will CHANGE THEIR LIVES!', have been a pretty much constant source of amusement and chucklesome pleasure over recent weeks. Alas, no more. This does mean that those phrases may actually get out of my head now, and opens up new viewing opportunities, such as the returned 'Love Soup' with the super Tamsin Greig. Or I could do some work.
It turns out no Tattoo parlours in Soho are actually open after 8pm (who knew? Soho obviously not as wild or hardcore as it makes out to be), so it looked like our evening trip had been in vain. Yet we were enlightened as to the exterior decor of sex shops, strip clubs and lingerie boutiques. It was an education of sorts. We saw some pretty neon lights so not a wasted outing.
I sliced my finger whilst trying to prise open a tin of 19p rice pudding without the aid of a tin opener. It hurt a little and bled a lot. However, the result was worth the price of a few pennies and blood. The pudding tasted damn good.
So you see, I'm a glass half full kind of a girl. Of course it helps if the glass is half full of a semi-decent white wine. Or, indeed, completely full.
The bar at the Union was absolutely packed last night, with people clamouring hotly and sweatily for cheap drinks, slopping beer all over the place and continuously prodding me in the back, which drives me a little bit crrrrrazy. A girl behind me went ahead and ordered her drink before me, despite it being blatant that I had been waiting far longer. Grrr. However, the longer wait did make me notice that there was a young chap sitting right amongst the hullaballoo, pint set down on the bar, sedately and leisurely reading the Guardian obiturary pages. This unexpected image made me smile.
The final of Masterchef has aired, meaning that the series is over and I won't see Greg's bald, cheery noggin or John's jowelly chops until next year. They, and their cries of 'Cooking DOESN'T get tougher than this!' and 'It will CHANGE THEIR LIVES!', have been a pretty much constant source of amusement and chucklesome pleasure over recent weeks. Alas, no more. This does mean that those phrases may actually get out of my head now, and opens up new viewing opportunities, such as the returned 'Love Soup' with the super Tamsin Greig. Or I could do some work.
It turns out no Tattoo parlours in Soho are actually open after 8pm (who knew? Soho obviously not as wild or hardcore as it makes out to be), so it looked like our evening trip had been in vain. Yet we were enlightened as to the exterior decor of sex shops, strip clubs and lingerie boutiques. It was an education of sorts. We saw some pretty neon lights so not a wasted outing.
I sliced my finger whilst trying to prise open a tin of 19p rice pudding without the aid of a tin opener. It hurt a little and bled a lot. However, the result was worth the price of a few pennies and blood. The pudding tasted damn good.
So you see, I'm a glass half full kind of a girl. Of course it helps if the glass is half full of a semi-decent white wine. Or, indeed, completely full.
22 February 2008
The Power of Footwear
'I don't need shoes do I? No, I just need jeans. Shoes are not necessary.'
'Mmmm... hmphlf... ynoh... mmm...'
'Okay, ready to go? Yup, I'm all ready to go.'
'Uh? Uh huh... snflph... yup huh... wha ehr...'
*Door shuts.
*30 seconds pass
*Door opens...
Head bowed, 'I felt insecure without shoes.'
'Mmmm... hmphlf... ynoh... mmm...'
'Okay, ready to go? Yup, I'm all ready to go.'
'Uh? Uh huh... snflph... yup huh... wha ehr...'
*Door shuts.
*30 seconds pass
*Door opens...
Head bowed, 'I felt insecure without shoes.'
18 February 2008
A Brief Bloggy Fill-in
Okay, so I was going to launch ito a whole spiel about how if one distills the kaleidescopic sequence and progression of life into pure, isolated, concentrated images that epitomise and validate certain profound notions of positivity and ecstasy, giving meaning to existence, what would pop up in this slide show of lucid, undiluted snapshots.
Then I thought, oh bugger it. I'll just do that boring bloggy thing of compiling a list of Moments of Perfection. It is nice to muse on these things after all. Sweetness and light, sunshine and lollipops etc. So here they are, according to Anna...
Kicking heels off after a long night out dancing.
Drinking peppermint tea out of my huge, clunky Guardian mug whilst watching BBCiplayer.
Being propped up by the Aga, pretending to read and soaking in the conversations that surround.
Splodging and squelching through thick mud. In walking boots or wellies. Up North.
Watching the ballet in the Royal Opera House, blown away by orchestral music and visual oppulence.
Head hitting the pillow after the perfect amount of wine, sending me off into the perfect deep, cosy sleep.
Being swaddled on the perfectly arranged sofa in front of Sunday evening telly.
The Libertines actually being played when I am on the dancefloor.
Ditto Spice Girls.
The cat stretching its paws out and gently stroking my chin in absent minded affection.
The feeling when in the throes of an intense yet exhilerating piece of work.
Guilt free celebrity gossip page reading.
Walking through Regents Park/Bedford square/along Gower Street/through the city in general when the light is perfect and I am preferably holding a takeaway coffee.
I am pleased to admit that these are just the tip of the iceburg really. Now you can have the sick bucket. Finishing one's essay does rather give one a lust for life and appreciation for the finer things I must say.
Then I thought, oh bugger it. I'll just do that boring bloggy thing of compiling a list of Moments of Perfection. It is nice to muse on these things after all. Sweetness and light, sunshine and lollipops etc. So here they are, according to Anna...
Kicking heels off after a long night out dancing.
Drinking peppermint tea out of my huge, clunky Guardian mug whilst watching BBCiplayer.
Being propped up by the Aga, pretending to read and soaking in the conversations that surround.
Splodging and squelching through thick mud. In walking boots or wellies. Up North.
Watching the ballet in the Royal Opera House, blown away by orchestral music and visual oppulence.
Head hitting the pillow after the perfect amount of wine, sending me off into the perfect deep, cosy sleep.
Being swaddled on the perfectly arranged sofa in front of Sunday evening telly.
The Libertines actually being played when I am on the dancefloor.
Ditto Spice Girls.
The cat stretching its paws out and gently stroking my chin in absent minded affection.
The feeling when in the throes of an intense yet exhilerating piece of work.
Guilt free celebrity gossip page reading.
Walking through Regents Park/Bedford square/along Gower Street/through the city in general when the light is perfect and I am preferably holding a takeaway coffee.
I am pleased to admit that these are just the tip of the iceburg really. Now you can have the sick bucket. Finishing one's essay does rather give one a lust for life and appreciation for the finer things I must say.
13 February 2008
Road Rage
Travelling by Megabus is like being stuck between a rock and a hard place.
Or, indeed, between a Nietzsche reading bespectacled nerd/seasoned back packer and a softly round Indian man who eats bombay mix out of a huge bottomless packet with a spoon, shovelling in mouthful after crunchy mouthful noisily.
The volume of Nietzsche was in another language and the spoon shovelling completely bizarre.
I buried my head in The Guardian Review, transporting myself to a world of straightforward black and white, print and paper.
They were probably thinking 'Who is this scarf-draped, left-wing, pretentious child who is so irritatingly rustling and wrestling with her crumpled paper?'
Such is the way of the Megabus. Best to snore and drool one's way through the ordeal.
Or, indeed, between a Nietzsche reading bespectacled nerd/seasoned back packer and a softly round Indian man who eats bombay mix out of a huge bottomless packet with a spoon, shovelling in mouthful after crunchy mouthful noisily.
The volume of Nietzsche was in another language and the spoon shovelling completely bizarre.
I buried my head in The Guardian Review, transporting myself to a world of straightforward black and white, print and paper.
They were probably thinking 'Who is this scarf-draped, left-wing, pretentious child who is so irritatingly rustling and wrestling with her crumpled paper?'
Such is the way of the Megabus. Best to snore and drool one's way through the ordeal.
5 February 2008
Yearning for my Aga: A whistful nod to the North
Wedged in after the indulgence of Christmas, all those New Year's resolutions to not indulge so much, the partying of Superbowl Sunday when everybody over indulges in drink and potato chips as a kind of rear-guard reaction to watching healthy sporty types and surviving a miserable January of failed resolutions, comes Shrove Tuesday.
A day when everything of an indulgent nature should be hoovered up before the abstemious period of Lent. Yet another opportunity to repent and redeem one's wickedly gluttonous ways. Except Valentines Day follows this supposed 'last chance' to indulge, when chocolates, champagne and fancy dinners will abound (for the few lucky ones, at any rate). So basically, there is always an excuse to celebrate, and indulgence is always justifiable.
What is not justifiable, however, is buying a big plastic tub of gloop labelled 'Pancake Mix' from the supermarket in order to create the beloved traditional rounds. Sacred Bleu, I dread to think what those lovely chaps en France would say, who use those clever, flat, batter-scraping devices with such flair and skill to create the thinnest, most delicate and delicious crepes (best eaten when wandering around a sunny square in Normandy I'll have you know). 'Zut alors!' indeed.
One can also get 'Pancake Mix: American Style'. Well, I'll be bound. Those are not pancakes as we know them. Rather skyscrapers of thick, layered carbs, dripping with syrup and, inexplicably, bacon. Pig on a pancake?? Two hands, a knife and fork, thick set jaws, resilient teeth and a constitution that is not susceptible to heart failure are all required to tackle those bad boys. And now you can produce them out of a tub apparently.
No. The way to do them is on an Aga. The only way. With everybody wanting to help and assist. With flushed cheeks and a dash of manic stress. With everybody wanting the first one. Even though the first one is inevitably always a failure. And with major experimentation going on.
Nothing beats the old classic of grated cheese (cheddar preferably) and dollops of ketchup. Squelchy and lip-smackingly disgusting. In the best possible way. This how to do Mardi Gras baby. A Frenchman did once tell me it was 'crepe', but I think our pancakes are actually pretty darn good!
(Geddit? Ahem)
I have bets on J consuming the most, though Father will no doubt give him a run for his money. Raise the ketchup bottle in acknowledgement of my absent self, chaps!
A day when everything of an indulgent nature should be hoovered up before the abstemious period of Lent. Yet another opportunity to repent and redeem one's wickedly gluttonous ways. Except Valentines Day follows this supposed 'last chance' to indulge, when chocolates, champagne and fancy dinners will abound (for the few lucky ones, at any rate). So basically, there is always an excuse to celebrate, and indulgence is always justifiable.
What is not justifiable, however, is buying a big plastic tub of gloop labelled 'Pancake Mix' from the supermarket in order to create the beloved traditional rounds. Sacred Bleu, I dread to think what those lovely chaps en France would say, who use those clever, flat, batter-scraping devices with such flair and skill to create the thinnest, most delicate and delicious crepes (best eaten when wandering around a sunny square in Normandy I'll have you know). 'Zut alors!' indeed.
One can also get 'Pancake Mix: American Style'. Well, I'll be bound. Those are not pancakes as we know them. Rather skyscrapers of thick, layered carbs, dripping with syrup and, inexplicably, bacon. Pig on a pancake?? Two hands, a knife and fork, thick set jaws, resilient teeth and a constitution that is not susceptible to heart failure are all required to tackle those bad boys. And now you can produce them out of a tub apparently.
No. The way to do them is on an Aga. The only way. With everybody wanting to help and assist. With flushed cheeks and a dash of manic stress. With everybody wanting the first one. Even though the first one is inevitably always a failure. And with major experimentation going on.
Nothing beats the old classic of grated cheese (cheddar preferably) and dollops of ketchup. Squelchy and lip-smackingly disgusting. In the best possible way. This how to do Mardi Gras baby. A Frenchman did once tell me it was 'crepe', but I think our pancakes are actually pretty darn good!
(Geddit? Ahem)
I have bets on J consuming the most, though Father will no doubt give him a run for his money. Raise the ketchup bottle in acknowledgement of my absent self, chaps!
30 January 2008
A splash of colour, a flash of culture
In keeping with the previous theme, I have been donning my little red riding hood in recent weeks. Except it is more like my little red, three-quarter-length sleeved, shawl-collared, woolen, vintage coat. With brooch and jaunty scarf. One has to move with the times, doncha know.
Anyhow, there is nothing quite like sauntering or, indeed, moseying about the streets of London in my striking sartorial cocoon, matching the double-decker buses and telephone boxes in A Very British Manner. Tightly belted at the waist, hands plunged in pockets, I am ready to take on any wolf that should happen upon me in the metropolis.
It is a coat made for those impromptu and oh-so cultural outings. Mooching in the Sainsbury Wing of the National Gallery on a Sunday for example. Glorifying at the gold-flecked embellishments adorning Virgin upon sweet-faced Virgin, Christ upon crucified Christ. Staring agog at the transporting, beautiful, characterful visions that I sometimes fall into within my subconscious. Me defeating the devil, a la St Michael. Me flying with the beautifully dressed angels...
And so must the coat takes me from the Sainsbury Wing to Sainsbury's. But in style.
Glorifying at the lurid chocolate bar wrappers covering biscuit upon crunchy biscuit, caramel finger upon chewy caramel finger. Staring agog as I wait in the megalosaurian queue and try to politely ignore the overly friendly or sinisterly silent staff. This commercial institution holds almost as many wonders as the mystically blue-toned wing of the gallery. Two long custard doughnuts, dusted with icing sugar and bursting with glistening yellow goo, for £1.09 (Why that 9p? Why such an awkward figure? So as to use up all those pesky coppers of course. The genius of these doughnuts knows no bounds) are just one of the gems bejewelling the harsh-lighted cavern.
Gallery to keep my mind intelligent, alert and open in order to be prepared for wily wolf attacks. Supermarket to fill my basket with sustaining goodies to take to 'Granny' (or myself, or poverty stricken students of my acquaintance). Little Red Woolen Coat. That's me.
Anyhow, there is nothing quite like sauntering or, indeed, moseying about the streets of London in my striking sartorial cocoon, matching the double-decker buses and telephone boxes in A Very British Manner. Tightly belted at the waist, hands plunged in pockets, I am ready to take on any wolf that should happen upon me in the metropolis.
It is a coat made for those impromptu and oh-so cultural outings. Mooching in the Sainsbury Wing of the National Gallery on a Sunday for example. Glorifying at the gold-flecked embellishments adorning Virgin upon sweet-faced Virgin, Christ upon crucified Christ. Staring agog at the transporting, beautiful, characterful visions that I sometimes fall into within my subconscious. Me defeating the devil, a la St Michael. Me flying with the beautifully dressed angels...
And so must the coat takes me from the Sainsbury Wing to Sainsbury's. But in style.
Glorifying at the lurid chocolate bar wrappers covering biscuit upon crunchy biscuit, caramel finger upon chewy caramel finger. Staring agog as I wait in the megalosaurian queue and try to politely ignore the overly friendly or sinisterly silent staff. This commercial institution holds almost as many wonders as the mystically blue-toned wing of the gallery. Two long custard doughnuts, dusted with icing sugar and bursting with glistening yellow goo, for £1.09 (Why that 9p? Why such an awkward figure? So as to use up all those pesky coppers of course. The genius of these doughnuts knows no bounds) are just one of the gems bejewelling the harsh-lighted cavern.
Gallery to keep my mind intelligent, alert and open in order to be prepared for wily wolf attacks. Supermarket to fill my basket with sustaining goodies to take to 'Granny' (or myself, or poverty stricken students of my acquaintance). Little Red Woolen Coat. That's me.
22 January 2008
Dashed Hopes
Frances Hodgeson Burnett may have been wrong. It is possible that not all girls are actually princesses.
This has come as a short, sharp shock, especially to one who's favourite Disney is Sleeping Beauty, has been classically trained in the art of the curtsey, and is in possession of a tiara.
But I break this sad news after the discovery of something horrible beyond measure: I was sitting on a pea throughout a whole dinner without realising.
Princesses are supposed to be able to detect peas through mountains of mattresses. Yet this one was actually affixed to my derriere and I was none the wiser. I bow my head in shame; I am obviously without the credentials to be a true princess. I lack the necessary qualifications. And have a pea stained ass.
So it's back to the land of peasants and plebs I go, working my weary way out of the fairytale. I may have to consider being a bloodthirsty warrior or woodland sprite instead.
This has come as a short, sharp shock, especially to one who's favourite Disney is Sleeping Beauty, has been classically trained in the art of the curtsey, and is in possession of a tiara.
But I break this sad news after the discovery of something horrible beyond measure: I was sitting on a pea throughout a whole dinner without realising.
Princesses are supposed to be able to detect peas through mountains of mattresses. Yet this one was actually affixed to my derriere and I was none the wiser. I bow my head in shame; I am obviously without the credentials to be a true princess. I lack the necessary qualifications. And have a pea stained ass.
So it's back to the land of peasants and plebs I go, working my weary way out of the fairytale. I may have to consider being a bloodthirsty warrior or woodland sprite instead.
14 January 2008
Literary Links
On hearing that well-known nightclub venue 'Tiger Tiger' being mentioned on the peripheries of my aural awareness, a dialogue began between a well-read, philosophical chap and myself. He mused that there should be William Blake themed cocktails available at such a nightclub. Naturally, thought I. But what would these drinks consist of?
After applying my mind, I have come up with one or two ideas. Squid ink (of the sought sometimes used in posh spaghetti) could be used as a mixer, signifying all the ink spilt on Blake's poetry and beautiful drawings and pictures. Another ingredient would have to be communion wine, representing the heavily religious aspects and overtones of all his works. It may not taste particularly delicious, but it would be intellectually nourishing.
It was then said (and I would like to stress that this remark was not made by me. Heavily stress) that Rudyard Kipling themed drinks would contain the blood of natives and have to be drunk from a rhino horn, or hollowed out talon of some sort.
This then lead me to other literary links along this line of thought. For instance, Tolstoy is apparently 'fat' in Russian (information courtesy of The Guardian) which takes a little away from the romanticiam of the figure, I find. Also, something that I retained when reading Rousseau's Confessions was that he was keen to see the Gentlemen of Spoon. These were a group of Catholic noblemen who in 1527 swore to eat the people of Geneva 'with a spoon' (a little like the Sheriff of Nottingham's suggestion in regards to the practical matters of eating Robin Hood's heart) and wore spoons round their necks to remind them of this oath. I think this is brilliant. Apart from the cannibalism of course.
Although not in keeping with the theme, another thing that I was captured by in that particular text was that a woman of Rousseau's acquaintance, Madame de Vercellis, broke wind when on her death bed, then pronounced 'Good, a woman who can fart is not dead'. These were her final words. Rousseau commented that she died like a philosopher.
After applying my mind, I have come up with one or two ideas. Squid ink (of the sought sometimes used in posh spaghetti) could be used as a mixer, signifying all the ink spilt on Blake's poetry and beautiful drawings and pictures. Another ingredient would have to be communion wine, representing the heavily religious aspects and overtones of all his works. It may not taste particularly delicious, but it would be intellectually nourishing.
It was then said (and I would like to stress that this remark was not made by me. Heavily stress) that Rudyard Kipling themed drinks would contain the blood of natives and have to be drunk from a rhino horn, or hollowed out talon of some sort.
This then lead me to other literary links along this line of thought. For instance, Tolstoy is apparently 'fat' in Russian (information courtesy of The Guardian) which takes a little away from the romanticiam of the figure, I find. Also, something that I retained when reading Rousseau's Confessions was that he was keen to see the Gentlemen of Spoon. These were a group of Catholic noblemen who in 1527 swore to eat the people of Geneva 'with a spoon' (a little like the Sheriff of Nottingham's suggestion in regards to the practical matters of eating Robin Hood's heart) and wore spoons round their necks to remind them of this oath. I think this is brilliant. Apart from the cannibalism of course.
Although not in keeping with the theme, another thing that I was captured by in that particular text was that a woman of Rousseau's acquaintance, Madame de Vercellis, broke wind when on her death bed, then pronounced 'Good, a woman who can fart is not dead'. These were her final words. Rousseau commented that she died like a philosopher.
3 January 2008
Heard the one about Herod?
You may be forgiven for thinking that I had been abducted by aliens in recent weeks due to lack of postage on the old blog. In actuality, I narrowly missed such a fate. It so happens that a certain motor-savvy friend of mine has an amazing automobile (which goes by the name of Pablo incidentally) in possession of properties associated with alien life forms. It has, no word of a lie, windscreen wipers that sound exactly like Daleks.
When the rain falls it is like a Dalek attack. Much more exciting than any Christmas edition of Dr Who. Even though they managed to blag an appearance from Kylie this year.
So, after avoiding being 'exterminated' in my near death experience with aliens and wild driving in the Northumberland countryside, I thought I should kick off this new year we have stumbled into on the blogosphere. Make it official like.
I shall start this year, however, with a glance to the past. The dim and distant past. A past so far back in history that the word 'blog' would no doubt have met with a chorus of 'Bless you!' if uttered in public. Picture the scene...
A nativity play narrated by adults, with a troupe of adorable children miming the traditional tale. Heart warming and comforting, with bevvies of rosy-cheeked angels and shepherds with stuffed sheep and tea-towels on their heads. Then, behold! A figure of terror. A figure of impressive gravitas. A figure of creative ingenuity in regards to make-up application. My six-year-old mother as Herod.
I love that she is playing, of all the characters that populate the sacred and holy story of Christ's birth, the murderous baddie. One of the cruelest figures in history in fact. And, on all accounts, with great aplomb. Apparently nobody realised it was dear little carrot-top Christine. She could have been a star! We could be living the high life in Hollywood right now. Instead, of course, she took to all the make-up and costume and organisation and creativity of it all. Dash that controlling community spirit of hers! If only she had a more selfish prima donna streak. Fame and fortune would have surely beckoned.
Stories of the past are often fabulously entertaining in retrospect (even from a renowned less-than-sparkling teller of tedious anecdotes) and no doubt, when looking back on the year that is currently laid out before us, there will be many a funny fable to reminisce over. As well as embarrassing hairstyles, outfits and pictures documenting all our monumental mistakes. Bring it on I say.
When the rain falls it is like a Dalek attack. Much more exciting than any Christmas edition of Dr Who. Even though they managed to blag an appearance from Kylie this year.
So, after avoiding being 'exterminated' in my near death experience with aliens and wild driving in the Northumberland countryside, I thought I should kick off this new year we have stumbled into on the blogosphere. Make it official like.
I shall start this year, however, with a glance to the past. The dim and distant past. A past so far back in history that the word 'blog' would no doubt have met with a chorus of 'Bless you!' if uttered in public. Picture the scene...
A nativity play narrated by adults, with a troupe of adorable children miming the traditional tale. Heart warming and comforting, with bevvies of rosy-cheeked angels and shepherds with stuffed sheep and tea-towels on their heads. Then, behold! A figure of terror. A figure of impressive gravitas. A figure of creative ingenuity in regards to make-up application. My six-year-old mother as Herod.
I love that she is playing, of all the characters that populate the sacred and holy story of Christ's birth, the murderous baddie. One of the cruelest figures in history in fact. And, on all accounts, with great aplomb. Apparently nobody realised it was dear little carrot-top Christine. She could have been a star! We could be living the high life in Hollywood right now. Instead, of course, she took to all the make-up and costume and organisation and creativity of it all. Dash that controlling community spirit of hers! If only she had a more selfish prima donna streak. Fame and fortune would have surely beckoned.
Stories of the past are often fabulously entertaining in retrospect (even from a renowned less-than-sparkling teller of tedious anecdotes) and no doubt, when looking back on the year that is currently laid out before us, there will be many a funny fable to reminisce over. As well as embarrassing hairstyles, outfits and pictures documenting all our monumental mistakes. Bring it on I say.
10 December 2007
Kitschmas
Ok, Question (as our American friends tend to say, causing a hush as everyone pricks up their ears in anticipation of the seriousness that will inevitably follow). Ok, Question...
Is red lipstick, especially at this time of year, a glamourous and celebratory statement of charming self expression? Or is it just a little too 'Santa baby, slip a sable under the tree... for me'?
Also, is it sophisticatedly bohemian or, frankly, a tad slovenly to leave smeared red lipstick marks on the edge of a glass, slowly hardening and staining just like the dark wine dregs?
Is it too much? Or is anything less not enough? Or is it too much in a good way?
Exquisite and flawless or garish and clown-like?
Such are the dilemmas of the season. There is a fine line between style and tack.
Anyhow, I shall take inspiration from such screen sirens as Joan Crawford and Bette Davis, flash and brash with scarlet smackers. One of Santa's reindeer is named Vixen after all.
Is red lipstick, especially at this time of year, a glamourous and celebratory statement of charming self expression? Or is it just a little too 'Santa baby, slip a sable under the tree... for me'?
Also, is it sophisticatedly bohemian or, frankly, a tad slovenly to leave smeared red lipstick marks on the edge of a glass, slowly hardening and staining just like the dark wine dregs?
Is it too much? Or is anything less not enough? Or is it too much in a good way?
Exquisite and flawless or garish and clown-like?
Such are the dilemmas of the season. There is a fine line between style and tack.
Anyhow, I shall take inspiration from such screen sirens as Joan Crawford and Bette Davis, flash and brash with scarlet smackers. One of Santa's reindeer is named Vixen after all.
3 December 2007
And So It Begins...
Floating within a sea of seminars, lectures, pub trips, work avoidance and Sex and the City watching, it's miraculous if I know the hour, let alone day or date. So, lo and behold, on realising it was December 1st I was knocked for six.
Without the bickering and hoo-ha that accompanies every December evening, heralding the doling out of story and sweets from the lovingly created home-made Advent Calendar, I knew not how to cope with the onset of the merry month. In a civilised manner, one supposes.
Or, indeed, with the greatest concoction known to man (or, more likely than not, woman). Mulled wine is quite simply the most delicious, comforting, Christmassy thing. Ever. Even Sainsbury's own brand. And especially at a student halls party, prison cell walls bedecked with mistletoe, baubles, and splattered orange pulp from the steaming pan.
Warm, spicy, alcoholic. The Holy Grail is said to be a cup. I could understand all the fracas and tintamar surrounding this cup of contention if what it contained was the divine brew of the sweetly mulled grape.
Following this celebratory start to frolicking festivities, Christmas is coming thick and fast. A family roast dinner, complete with evergreen foliage and red berry table adornment, a bag of marrons glacees (brought back by B from Rome no less) consumed after midnight, a diary filling up with jolly occasions. And that is just the beginning. It all starts again when I hit Hexham baby.
Without the bickering and hoo-ha that accompanies every December evening, heralding the doling out of story and sweets from the lovingly created home-made Advent Calendar, I knew not how to cope with the onset of the merry month. In a civilised manner, one supposes.
Or, indeed, with the greatest concoction known to man (or, more likely than not, woman). Mulled wine is quite simply the most delicious, comforting, Christmassy thing. Ever. Even Sainsbury's own brand. And especially at a student halls party, prison cell walls bedecked with mistletoe, baubles, and splattered orange pulp from the steaming pan.
Warm, spicy, alcoholic. The Holy Grail is said to be a cup. I could understand all the fracas and tintamar surrounding this cup of contention if what it contained was the divine brew of the sweetly mulled grape.
Following this celebratory start to frolicking festivities, Christmas is coming thick and fast. A family roast dinner, complete with evergreen foliage and red berry table adornment, a bag of marrons glacees (brought back by B from Rome no less) consumed after midnight, a diary filling up with jolly occasions. And that is just the beginning. It all starts again when I hit Hexham baby.
25 November 2007
Observations from my anthropological study of Intercollegiate Halls life:-
The words Chav and Essex are considered profanities of the highest order and are used in reference to others at one's own risk.
Americans need clarifications, such as the DTR system. There is none of that very British timidity and reluctance to actually verbalise what the hell is going on. Define The Relationship is a common and useful part of their culture. E.g 'We need to do some DTR-ing'.
Sporty Irish lads can eat veritable mountains of food. It is a marvel to behold.
Philosophers are erudite, articulate, stoners, lovely and laid back, and incomprehensible. They muse on Sartre over starters, Mill over main course and Descartes over dessert.
Characters who are 'allergic to empty glasses', always have an open door and an open bottle of something, who sport berets and can recite Donne off by heart come to be known as Legends.
'Scrubs' is a unifying force.
Queueing has become a social occasion.
Lift smells are a constant source of surprise, revulsion, and mystery and can change hourly.
There is absolutely nobody from Newcastle or beyond. The sole native of Newcastle I have encountered, and indeed the only one residing in the whole of London, lives in different Halls. And he went to RGS so barely counts.
People become nocturnal beings. Body clocks change on entering the accommodation, and it is doubtful they will ever return to normal.
The words Chav and Essex are considered profanities of the highest order and are used in reference to others at one's own risk.
Americans need clarifications, such as the DTR system. There is none of that very British timidity and reluctance to actually verbalise what the hell is going on. Define The Relationship is a common and useful part of their culture. E.g 'We need to do some DTR-ing'.
Sporty Irish lads can eat veritable mountains of food. It is a marvel to behold.
Philosophers are erudite, articulate, stoners, lovely and laid back, and incomprehensible. They muse on Sartre over starters, Mill over main course and Descartes over dessert.
Characters who are 'allergic to empty glasses', always have an open door and an open bottle of something, who sport berets and can recite Donne off by heart come to be known as Legends.
'Scrubs' is a unifying force.
Queueing has become a social occasion.
Lift smells are a constant source of surprise, revulsion, and mystery and can change hourly.
There is absolutely nobody from Newcastle or beyond. The sole native of Newcastle I have encountered, and indeed the only one residing in the whole of London, lives in different Halls. And he went to RGS so barely counts.
People become nocturnal beings. Body clocks change on entering the accommodation, and it is doubtful they will ever return to normal.
17 November 2007
I Do. You Do. We All Do The Haiku.
In keeping with the spirit of Cumberland Lodge and all that happened in this glorious place of firesides and tapestries, I have decided to be more 'creative' with my 'writing' and relate the essence of the trip through the medium of Haiku.
Over strong coffee - You
Write like an American,
John Sutherland said
From black to white to
Sublime to silly - Hitchcock
Master of the flicks
Striding out in frost
Bobble-hatted, happy, high
Hopes to meet Darcy
Sinking in sofa,
Drowning in tea, reading
The Guardian - joy!
Politics aside,
There's something to be said for
Aristocracy
Over strong coffee - You
Write like an American,
John Sutherland said
From black to white to
Sublime to silly - Hitchcock
Master of the flicks
Striding out in frost
Bobble-hatted, happy, high
Hopes to meet Darcy
Sinking in sofa,
Drowning in tea, reading
The Guardian - joy!
Politics aside,
There's something to be said for
Aristocracy
8 November 2007
A burgeoning snobbery
To desecrate such sanctified and hallowed ground with the audacity and irreverence I had the misfortune to witness shocked me, shocked me to my very core.
People (and note the plural, there was not just one person but multiple people) had actually dared to bring into the holy theatrical sanctum that is Covent Garden's Royal Opera House a London Lite. The free tabloid paper thrust into faces and fists each day in the streets. The streets! I tell you. I shall do my utmost to restrain my vitriol in reference to the spelling of 'Lite', and instead direct it very much towards the blasphemy incurred upon the lustrous velvet seats and gloriously plush amphitheatre. The whole thing reeked, positively reeked, of incongruity and insult. It is akin to bringing a burning effigy, accessorised with voodoo dolls and Wicca crystals, into Sunday service, parading it round the font as the altar is set alight and all the sacrificial wine is drunk, then sticking it up the vicar's arse. Such is the sacrilege.
To actually come prepared with such a rag for the interval leaves me speechless.
I blocked my eyes to the latest about Livingstone and Kate Moss's new hairstyle and tried very hard to merely sit and soak up the atmosphere of artistic brilliance, steeped in decades of theatrical mastery, when waiting between acts. Despite being surrounded by the tempting rustling.
I twiddled my thimbs and remained resolute. I am a true follower of the faith. A born-again believer in a 'swish night out to see the Ballet, dahling!'. I will not have it besmirched by London Lite.
People (and note the plural, there was not just one person but multiple people) had actually dared to bring into the holy theatrical sanctum that is Covent Garden's Royal Opera House a London Lite. The free tabloid paper thrust into faces and fists each day in the streets. The streets! I tell you. I shall do my utmost to restrain my vitriol in reference to the spelling of 'Lite', and instead direct it very much towards the blasphemy incurred upon the lustrous velvet seats and gloriously plush amphitheatre. The whole thing reeked, positively reeked, of incongruity and insult. It is akin to bringing a burning effigy, accessorised with voodoo dolls and Wicca crystals, into Sunday service, parading it round the font as the altar is set alight and all the sacrificial wine is drunk, then sticking it up the vicar's arse. Such is the sacrilege.
To actually come prepared with such a rag for the interval leaves me speechless.
I blocked my eyes to the latest about Livingstone and Kate Moss's new hairstyle and tried very hard to merely sit and soak up the atmosphere of artistic brilliance, steeped in decades of theatrical mastery, when waiting between acts. Despite being surrounded by the tempting rustling.
I twiddled my thimbs and remained resolute. I am a true follower of the faith. A born-again believer in a 'swish night out to see the Ballet, dahling!'. I will not have it besmirched by London Lite.
4 November 2007
Excess, not XS
There is seemingly one constant in the everchanging realm of Kirkdom (otherwise known as 'my current life') and that is Excess.
Starting with the excess of wine drunk the night before the excessively long megabus trip up to The North, Excess became the name of the game that I was sportingly going to play over an extended weekend. I took a suitcase instead of a little holdall - which might be considered by some to be a little excessive - in order to bring an excess of books and, naturally, dirty washing. An excessively choclatey chocolate cake was presented on my arrival, celebrating the birthday of my excessively youthful father.
I hadn't even realised it was Autumn until venturing out of the city, but in Northumberland it is Autumn to excess. In fact it is a leaf-wading, hat and glove, Gap advert Autumn, that is how excessive the season is being. There was not, however, an excess of booze on the eve of Dad's birthday, as every last drop of many a bottle was consumed and enjoyed.
Hexham, with its excess of charity shops, geared up to Bonfire Night as I wandered through the excessively familiar streets, bumping into an excess of familiar faces. Excesses of split-ended hair fell about my person as I finally, after an excess of days, weeks, months, got my hair cut. I was excessively embarrassed by the state I had let it get into. An excessive amount of locals (and, indeed, those from further afield) swarmed through the town for the famous fireworks, which were excessively stunning and are both memory-stirring and memory-making to excess.
The excess people at Spoons had a smoke whilst waiting to get to the excessively busy bar, whilst those of us who battled our way with excessively pointy elbows got served surprisingly quickly. I became excessively overwhelmed and excited at seeing the excess of old friends and recognisable Northerners. Which lead to excessively red cheeks and excessively wide grins.
Excess is no bad thing, as the positive excess can just be scooped up and used later and sustain me for longer. And crikey, I sure feel better for, what some might say, was an excessively long lie in. I would say it was just right.
Starting with the excess of wine drunk the night before the excessively long megabus trip up to The North, Excess became the name of the game that I was sportingly going to play over an extended weekend. I took a suitcase instead of a little holdall - which might be considered by some to be a little excessive - in order to bring an excess of books and, naturally, dirty washing. An excessively choclatey chocolate cake was presented on my arrival, celebrating the birthday of my excessively youthful father.
I hadn't even realised it was Autumn until venturing out of the city, but in Northumberland it is Autumn to excess. In fact it is a leaf-wading, hat and glove, Gap advert Autumn, that is how excessive the season is being. There was not, however, an excess of booze on the eve of Dad's birthday, as every last drop of many a bottle was consumed and enjoyed.
Hexham, with its excess of charity shops, geared up to Bonfire Night as I wandered through the excessively familiar streets, bumping into an excess of familiar faces. Excesses of split-ended hair fell about my person as I finally, after an excess of days, weeks, months, got my hair cut. I was excessively embarrassed by the state I had let it get into. An excessive amount of locals (and, indeed, those from further afield) swarmed through the town for the famous fireworks, which were excessively stunning and are both memory-stirring and memory-making to excess.
The excess people at Spoons had a smoke whilst waiting to get to the excessively busy bar, whilst those of us who battled our way with excessively pointy elbows got served surprisingly quickly. I became excessively overwhelmed and excited at seeing the excess of old friends and recognisable Northerners. Which lead to excessively red cheeks and excessively wide grins.
Excess is no bad thing, as the positive excess can just be scooped up and used later and sustain me for longer. And crikey, I sure feel better for, what some might say, was an excessively long lie in. I would say it was just right.
26 October 2007
If ever I'm feeling a little glum, the best cure I find is to simply mull over that precise expression of melancholy.
Feeling a little glum
I imagine a gnome-like creature, small, round and fantastical (perhaps even Tolkeinesque), being tickled to death by little roving hands whilst it wears a resolutely grim facial contortion, before it cracks up in hysterical glee. This always causes a fleeting smile and snigger, therefore banishing the former gloom.
The glumness is solved by envisaging Glums. Glums being felt up.
Feeling a little glum
I imagine a gnome-like creature, small, round and fantastical (perhaps even Tolkeinesque), being tickled to death by little roving hands whilst it wears a resolutely grim facial contortion, before it cracks up in hysterical glee. This always causes a fleeting smile and snigger, therefore banishing the former gloom.
The glumness is solved by envisaging Glums. Glums being felt up.
20 October 2007
Thankyadada for taking us to Wagamama
Despite the excess of ambient noise, it was an excellent choice of restaurant.
Jam packed with punters and bustling with hungry hip young things, the canteen style layout is perfect for chatty social interaction. Bevies of efficient, yet mildly stressed, waiting staff sweep up and down the length of the tables, bowing to one's every need and self-indulgent gluttonous whim.
It is astonishing what powers a serving of hot, deliciously fragrant, invitingly comforting food can possess. The disgruntled twittering of malcontent that had previously filled the air quickly abated once cavernous vessels yielding fragrant fancies were placed before wide-eyed souls.
I almost drowned in a big bowl of aromatic noodle soup, laced with coconut and chilli and studded with chunks of tofu. When delving into it I may easily have been lost forever if I hadn't had my feet wrapped around the table leg and a brother on hand to fish me out.
Noodles submerged in an oily broth and chopsticks does not make for attractive eating. Spattering myself (and anything that was in a five metre radius of my gesticulating arms) in globules and flecks of yumminess, we shouted happily above the din, cheeks full and chops smeared with grease. Messy eating, especially in public, really is the best. It makes for funny and amiable babbling, yakking away nineteen to the dozen, whilst making a contented fool of oneself.
The philosophy of the place is 'Wham-bam-thank-you-mam!' Dishes come thick and fast, senses are all heightened (bright eyes, smells abounding, getting hot at the frenzy of it all), and there's only two chefs. No, three - 'I didn't see that little one there' - only a voraciously bobbing red hat visible above the counters. So much is going on, in terms of movement, sound, and taste explosions, one could almost forget that it was 'family outing' and that families are supposed to bicker and argue and not get on. This is the magic of such a place, it makes people rub along jolly well. Even people who are related. Super choice, five stars.
Just don't prod my stomach. It may burst with a satisfied pop.
Jam packed with punters and bustling with hungry hip young things, the canteen style layout is perfect for chatty social interaction. Bevies of efficient, yet mildly stressed, waiting staff sweep up and down the length of the tables, bowing to one's every need and self-indulgent gluttonous whim.
It is astonishing what powers a serving of hot, deliciously fragrant, invitingly comforting food can possess. The disgruntled twittering of malcontent that had previously filled the air quickly abated once cavernous vessels yielding fragrant fancies were placed before wide-eyed souls.
I almost drowned in a big bowl of aromatic noodle soup, laced with coconut and chilli and studded with chunks of tofu. When delving into it I may easily have been lost forever if I hadn't had my feet wrapped around the table leg and a brother on hand to fish me out.
Noodles submerged in an oily broth and chopsticks does not make for attractive eating. Spattering myself (and anything that was in a five metre radius of my gesticulating arms) in globules and flecks of yumminess, we shouted happily above the din, cheeks full and chops smeared with grease. Messy eating, especially in public, really is the best. It makes for funny and amiable babbling, yakking away nineteen to the dozen, whilst making a contented fool of oneself.
The philosophy of the place is 'Wham-bam-thank-you-mam!' Dishes come thick and fast, senses are all heightened (bright eyes, smells abounding, getting hot at the frenzy of it all), and there's only two chefs. No, three - 'I didn't see that little one there' - only a voraciously bobbing red hat visible above the counters. So much is going on, in terms of movement, sound, and taste explosions, one could almost forget that it was 'family outing' and that families are supposed to bicker and argue and not get on. This is the magic of such a place, it makes people rub along jolly well. Even people who are related. Super choice, five stars.
Just don't prod my stomach. It may burst with a satisfied pop.
7 October 2007
Horseplay for Philistines
Of course I felt awful. But Dad said it took him the best part of his life to realise that if he wasn't enjoying a book it was not actually compulsory to finish it. What is the point if you are willing the end to come with all your might and the book in question is soul destroying? It is a waste of time. You could be doing something infinitely more pleasurable and fulfilling.
I applied this same logic to a play.
It did make it worse that the first time I walked out of a performance was at the esteemed Globe theatre. BUT, I hasten to add, it was not Shakespeare, which would, of course, be sacrilege. Instead, it was some political drama (if one could call a lot of men sitting around in period clothing voting on matters of Government 'drama' as such) that documented American goings on within state arounf the time of Franklin etc. So it was to be expected really.
I love the Globe, and the whole ambience of the inspirational setting. Even the venue, with all its Shakespeare in Love connections, was not enough to redeem this play. The accents were dire, ranging from caricature hillbilly, to variations of Irish and Scottish (which at least was entertaining in its way) and there was an awful lot of thespian posturing, and placing of cast members within the audience. A frankly terrifying notion, as I was in a constant anticipatory state of dread that they would explode into action right beside me.
And so it was that I left in the interval (I would never be so rude as to leave mid-actorly gesture or speech) for the Tate Modern. Along with half the audience. Alas, poor production company. And for shame at leaving in the middle. I do harbour insecurities about not sticking it through, but really... American politics?
Incidentally, and incomprehensibly, there was a horse brought on a little while into the performance. It added absolutely nothing to, well, anything really. I suppose it was merely there to be talked about later, poor thing. 'Did you see that awful American history lesson masquerading as a production? You know, the one with the horse?'
Animal cruelty at its height- being the mascot for a truly mind-numbingly bad play.
Adds a new understanding to the phrase 'even wild horses couldn't hold me back'. This one couldn't hold me back from the exit point.
I applied this same logic to a play.
It did make it worse that the first time I walked out of a performance was at the esteemed Globe theatre. BUT, I hasten to add, it was not Shakespeare, which would, of course, be sacrilege. Instead, it was some political drama (if one could call a lot of men sitting around in period clothing voting on matters of Government 'drama' as such) that documented American goings on within state arounf the time of Franklin etc. So it was to be expected really.
I love the Globe, and the whole ambience of the inspirational setting. Even the venue, with all its Shakespeare in Love connections, was not enough to redeem this play. The accents were dire, ranging from caricature hillbilly, to variations of Irish and Scottish (which at least was entertaining in its way) and there was an awful lot of thespian posturing, and placing of cast members within the audience. A frankly terrifying notion, as I was in a constant anticipatory state of dread that they would explode into action right beside me.
And so it was that I left in the interval (I would never be so rude as to leave mid-actorly gesture or speech) for the Tate Modern. Along with half the audience. Alas, poor production company. And for shame at leaving in the middle. I do harbour insecurities about not sticking it through, but really... American politics?
Incidentally, and incomprehensibly, there was a horse brought on a little while into the performance. It added absolutely nothing to, well, anything really. I suppose it was merely there to be talked about later, poor thing. 'Did you see that awful American history lesson masquerading as a production? You know, the one with the horse?'
Animal cruelty at its height- being the mascot for a truly mind-numbingly bad play.
Adds a new understanding to the phrase 'even wild horses couldn't hold me back'. This one couldn't hold me back from the exit point.
2 October 2007
A mere whisp of the Big Smoke
'Where the devil have you been?', I hear you cry en masse. 'What the Dickens have you been getting up to?', you add as an afterthought.
Well, I'll tell you what I haven't been doing. And that is watching 'Neighbours'. Alas, my intellect has been called for elsewhere. And it certainly is necessary for all brain cells to be present in order to get off at the right bus stop, dodge raindrops effectively, and use all their strength for keeping my arm affixed to my body when lugging bloody great literary tomes around. That 'Riverside Chaucer' will be the death of me. On the plus side, I'm starting to resemble Popeye after the spinach magic. Only in one arm though.
Disregarding the loss of 'Neighbours' (I softly sob in sweet lament of this afternoon delight) I am attuning to the quirks and quaintness of our fine capital.
I shall give a taster of the observations I have made of late.
The library is organised in a nuts fashion. One could get lost in a dusty corner and never experience natural light again. Or, indeed, a common sense approach to alphebetisation.
Jeremy Bentham has his own pub. Which is marvellously cosy but a little overpriced. Now, is that the most happiness for the most people? At £5 for a large glass of wine, I think not. Though it is pleasing to see his brightly coloured features leering down at one from the pub sign.
Tutors all have their bizarre oddities. They are either named after Greek lute players, have disturbingly long fingernails for a middle aged man in corduroy, have a penchant, or even a fetish, for dashes in text, resemble Miss Cackle from 'The Worst Witch', or have fascinatingly lyrical names like Dr Ardis Butterfield.
The bus seems to be the place to be when the 'Dad gene' kicks in and I stare at people gormlessly without realising it. Totally captivating.
Large stacks of mattresses are transported from lorry to building in the middle of the street. Mattresses that I shall, in time, be laying my head on. Atleast I can see that they're doing something to my soon-to-be abode. I'll have a bed of sorts at any rate.
I actually have to read for the English course. A lot.
There are a billion other things too. But I can't recall off the top of my head. The cranial matter needs a rest. That is what 'Neighbours' is for.
Well, I'll tell you what I haven't been doing. And that is watching 'Neighbours'. Alas, my intellect has been called for elsewhere. And it certainly is necessary for all brain cells to be present in order to get off at the right bus stop, dodge raindrops effectively, and use all their strength for keeping my arm affixed to my body when lugging bloody great literary tomes around. That 'Riverside Chaucer' will be the death of me. On the plus side, I'm starting to resemble Popeye after the spinach magic. Only in one arm though.
Disregarding the loss of 'Neighbours' (I softly sob in sweet lament of this afternoon delight) I am attuning to the quirks and quaintness of our fine capital.
I shall give a taster of the observations I have made of late.
The library is organised in a nuts fashion. One could get lost in a dusty corner and never experience natural light again. Or, indeed, a common sense approach to alphebetisation.
Jeremy Bentham has his own pub. Which is marvellously cosy but a little overpriced. Now, is that the most happiness for the most people? At £5 for a large glass of wine, I think not. Though it is pleasing to see his brightly coloured features leering down at one from the pub sign.
Tutors all have their bizarre oddities. They are either named after Greek lute players, have disturbingly long fingernails for a middle aged man in corduroy, have a penchant, or even a fetish, for dashes in text, resemble Miss Cackle from 'The Worst Witch', or have fascinatingly lyrical names like Dr Ardis Butterfield.
The bus seems to be the place to be when the 'Dad gene' kicks in and I stare at people gormlessly without realising it. Totally captivating.
Large stacks of mattresses are transported from lorry to building in the middle of the street. Mattresses that I shall, in time, be laying my head on. Atleast I can see that they're doing something to my soon-to-be abode. I'll have a bed of sorts at any rate.
I actually have to read for the English course. A lot.
There are a billion other things too. But I can't recall off the top of my head. The cranial matter needs a rest. That is what 'Neighbours' is for.
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